It’s been nagging at me, the fact that there are so many bees dying. I am sure that it is all the pesticides that are being sprayed for the produce and other food we eat. I understand that it’s a much bigger picture than just that but it’s been weighing heavy the last few weeks. I decided to create a piece of art to commemorate how much bees are needed for the survival of the human race. I started with a test bee on the counter of my tables where I work and then graduated to my art journal, finally landing on a small 18×20 canvas.
This isn’t the end of this conversation for sure but at least it’s a start.
This is my practice bee…
Here are pictures from my art journal….
This is my final canvas painting
Hi All – I won’t be able to show my paintings this year at the spring event in Point Richmond but wanted you to take advantage of this wonderful event….I will be in Minneapolis. Here is the information and what a great deal for $20…..
Arts of Point Richmond
Call To Artists
The Art of Spring Faire
SATURDAY, MAY 4, 2013
11:00 A.M. TO 5:00 P.M.
Pt. Richmond Community Center
139 Washington Ave. Point Richmond
LOCAL ARTISTS WILL BE EXHIBITING
AND SELLING THEIR ORIGINAL WORKS
Original paintings, Note cards, Fabric art, Book making, Water, acrylic and Encaustic paintings, Prints, Small sculptural & metal art, Garden items, Framed photographs Books by local authors
JOIN US AND FIND YOUR SPECIAL
MOTHER’S DAY GIFT!
$20 FEE WILL COVER THE RENTAL AND INSURANCE PAID TO THE CITY OF RICHMOND.
E-MAIL OR CALL LINDA DRAKE FOR DETAILS. THERE ARE 12 PLOTS AVAILABLE INSIDE. WEATHER PERMITTING, ARTISTS MAY SET-UP THEIR OWN CANOPIES/TABLES IN THE COMMUNITY CENTER PERIMETER. ARTISTS ARE RESPONSIBLE FOR THEIR OWN SET-UP AND BREAKDOWN.
ARTISTS MUST HAVE 2013 DUES PAID
EXHIBIT & SELL ARTISTS’ ORIGINAL WORKS/PRINTS ONLY
I am returning to AOPR to kick off the 2013 season by coordinating artists and events.
Blessings to all of you!
Linda Lee Calvan Drake
Well, semi- famous, I got mentioned in the SF Chronical’s SF Gate. I had a show 2 weeks ago with support of Urban Solutions, San Francisco Arts Commision and 2 Blocks of Art. It was fantastic show, I sold 3 paintings, did 2 interviews, got invited to a friend’s Open Studio in December and made some dough. I couldn’t have asked for more.
I am working on 4 new paintings right now and will be showing them along with some of my past work at the Open Studio, December 15th and 16th and my friends Studio/Gallery. It is called The Clay Underground. Here is the link to my friends place. http://www.theclayunderground.com/
Here’s the link to the article in the SF Gate: http://www.sfgate.com/default/article/The-stroll-that-became-a-headlong-run-3972369.php
Here is the link to my etsy shop: http://www.etsy.com/shop/RavensNestArt
A few weeks ago I blogged about how I wanted to try to complete 50 paintings in 6 months. Well, I have been a busy beaver here in NorCal.
I have been preparing for Open Studio in October and wanted to have at least 50 paintings by then. I am coming along pretty well; I have been doing between 2 and 5 per week. When I posted my blog a few weeks ago I had completed 32 encaustic paintings. Some of those were small 2.5″ x 3.5″ but paintings non the less and worth counting in my opinion. Since my post a few weeks ago I have begun and completed 15 new paintings.
On a sad note, I was trying to get into Fort Mason’s Open Studio and was contacted by them with their pricing and I feel very depressed because I have been priced out of Fort Mason’s Open Studio. They want $23 an hour for 12 hours MINIMUM on Saturday and 10 hours on Sunday. That is $506 dollars plus $175 cleaning fee and a $10 sign fee. So it will cost $700 for the whole weekend. I just feel like crying – with NO guarantee. I know my paintings are good but I can’t afford to put out that kind of money. I could share the space with someone but all the artist’s I know don’t even have $350 dollars to spare. I am not sure what kind of artist’s can afford that kind of money. If they have it, they probably have their own studio; I know it’s a great space but seriously….$700!
If you would like to see what else I have been up to you can go to my Etsy Store: http://www.etsy.com/shop/RavensNestArt
I am going to have to come up with another plan for Open Studio. I will find another place AND I will have at least 50 paintings. I have to think positive, I know things are going to happen for me.
Here are the new paintings I have completed in the past 2 weeks! 14 new ones – yeah I said it right – 14! Check ’em out!
I have been dreaming of art this past week and am really excited about my new series that I will be working on. I wanted to make sure I could do what I imagined; so this past week I spent a lot of time sketching and painting. The paintings I am posting this week are sketches for a larger project. I am so excited I can barely contain myself. Every time I think about it or talk about it I want to jump out of my skin; go home and start painting. This is the most inspired I have really felt since I started my journey of encaustic painting.
I am going to bring the things I love all together – teaching – french and painting encaustic. I love more than these 3 things but these are the 3 things I am bringing together for this series. I will be painting the entire alphabet – one board at a time. A-Z in French and with lovely articles in French. I will be using an old fashioned writing tool, the writing paper I used when I was a child. The kind that’s really large, it has a solid line at the top and the bottom and the dotted line in the middle. I will be writing in French each word and will be bringing the pictures to life with old fashioned drawings and painting of each item.
In this blog post I am using things I cherish for my sketches; as you may remember from a few blogs previous I talked about how I love keys and so this week I focused on my technique using keys (the French word for key is Clé). I used keys and mirrors in these 5 paintings, they are just sketches to help me with how I want the final pieces to come out. It was a really great exercise, it helped me see what worked and what didn’t. What I needed to do to make sure the viewer saw the old fashioned writing paper. In some of the sketches the paper is easier to see than others. I want to make sure before I begin my actual painting that I understand what the wax will do to my pictures and to my writing and what is the best way to keep the integrity of the wax and the images while still bringing to life my dreams.
Here is a sneak preview.
In a previous post “Encaustic Paintings and My Life”, I spoke of my Art that I had done as a child and that I was very inspired by it. I decided to post the art and talk about my feelings about it; why is was so great to have the physical art work and why it is so inspiring to me. I chose one painting to start with. My very FIRST painting that I did as a child. I was 3 years old when this painting was done. (circa 1966) I am very proud of it. I can’t believe it has survived and it is 46 years old.
Having all my childhood pictures is very bittersweet for me. I love having them but I feel sad that it took me so long to come back to my passion. I am grateful that I have this in my life now and I know I don’t ever have to put this part of me aside. I can keep this part of me alive and thriving. I always wondered why it’s good and appropriate for young children to create art in school but the older they get the more frivolous it becomes? Why do schools always cut the creative part of the schooling before anything else? It seems like art and music are always getting the ax. Well, that was how it was in my family too when I was growing up. “Do something that is worthwhile and that will make you money”, my Mother would say to me. It was always a power struggle when I was growing up, I wanted to do what made me feel good (art) and my parents wanted me to take math and science classes. Even though I was very good at math and science, I was driven to create, I hounded them so much in high school that they allowed me to take 2 classes in high school. I had 2 free periods, so instead of leaving school early like the rest of my peers; I stayed in school and took art classes. I took a painting and a ceramics class; I adored them both and wished I could continue after high school but I was told that if they were going to pay for my education I had to take the classes they wanted me to. Needless to say I didn’t continue with my art classes.
I love art, I love the process of it and the outcome whether people think it is worthy of showing or not. I love it all, the good, the bad and the ugly. When I was older and much wiser I decided to go back to school and guess what classes I took??? ART – that’s right my friends – ART! I tried everything. Painting, ceramics, sculpture, mono-printing, intaglio, figure drawing and anything else I could cram into my 18 units. I even went to summer school. I loved both of the schools that I went to and feel that I got an outstanding education. I began taking art classes at San Francisco City College and then went on to finish my education at Parsons School of Design in Paris, France where I graduated with a BFA and began living my dream life.
A few years went by and life happened; I stopped painting and began working for a company that was “art based” but I wasn’t painting anymore. I was doing graphic design and creating invitations. It was fun and creative for me; making invitations from the inception to completion. I was making a lot of money and was extremely unhappy. I worked at this company for 15 years and then decided I needed a change so I quit. I went through a bunch of different jobs until the job I have now. I am happy, content and excited about art again. I am creating AND making money. I feel like I have the best of both worlds. I don’t think doing art is frivolous, I think it necessary and important in every child’s development to be able to express themselves in different ways. I would love it if government and families would see the necessity of art being included in the curriculum to have a well rounded education.
I am taking my original childhood art and using them as inspiration for new encaustic paintings. This will be the first of many to come!