I love keys, painting and Paris; you could say I am a Franco-file. Since living there and going to school there, Paris has held a special place in my heart. I love the key to my old French Apartment, it was one of those old skeleton keys and it was hard to open my heavy wooden door but I loved it none the less. This encaustic painting is from my heart, from my memories of France and with all the love I have for my life right now, my past life and my future. I have decided not to be afraid anymore; I am not going to be afraid of doing new things, afraid of what people will think, afraid of becoming popular, afraid of people liking or loving my work. I want to live in my life without fear!
Encaustic painting is living without fear for me! I am going for it and really enjoying myself, I am scared out of my mind but I am still doing it. When I first moved to France I didn’t speak ONE word of French but I still went and I learned French. I was scared out of my mind then and it was a hard road for me but one that was worth walking down. I would never change that experience for anything. This feels the same to me, I am learning as I go down this path and even though it’s hard it’s worth it!
The keys to love for me is living the life I have always dreamed and that included painting, writing and sharing my joy with all who will listen.
LISTEN – LOOK – LOVE and ENJOY THE KEYS TO MY LOVE!
I love seeing street art; it’s a glimpse of what others see and how they see.
Last week I talked about learning from my mistakes and this week I feel that last weeks mistakes paid off. I started with the one cradled board that was a mess last week. I cleaned it off to start over and decided that I would use all three I had for a triptych I had been sketching about all week. My sketching is all about free flow and what ever comes to my mind I will draw and color in, whether it’s from my memories or what I see outside or just a bunch of doodles. Last week someone gave me 25 copic markers and so I spent all week drawing with them. They were not my color choice so I decided to think and draw outside the “color box”. To draw and sketch with just the sketching in mind and not the colors so much. It was quite difficult because I am very drawn to certain colors and definitely have my favorites. It was really good for me to go outside my color comfort zone and doodle, draw and sketch with colors I don’t normally use. It really made me sketch from feelings and from my memories instead of just sketching with color. I strive to do things artistically and with my life that take me outside my comfort zone, not all the time mind you but quite often. It’s there where I really and truly learn what I am made of. Last week was one of those experiences for me, trying new tools and new techniques. I could have gotten mad; I could have pretended like it didn’t happen at all but my nature is to learn and I sure did learn a lot from all I did last week. This week I am very happy with the results of my work and my experiences from the past weeks of trial and error. This week was a success for me. Using colors I don’t normally use and doodling with copic markers not of my choosing. The encaustic painting was a success not only because it turned out compositionally and with the colors I used but because I chose to go outside my comfort zone last week and this week and take what I learned and put it into my painting. It felt really good to accomplish something really good this week.
Above is a picture of before the painting began but after I put on the base layers of my medium.I first put 6 layers of clear medium onto each of the three boards. I put equal parts of damar resin crystals and wax medium into my pots to melt. While the wax was melting I went through my other wax colors and brought out the ones I felt would be the best for the this landscape. I really like the wax pots I have; I found them at Daniel Smith on-line. They are empty printers ink cans and they hold a really good amount of wax. The first color I added to the boards along the bottom was Celedon Green; I put about 30% damar resin, 20% pigment and 50% medium. I like how this color is pretty opaque. The next color I used along the top of the boards was turquoise blue and again it was about the same percentage of pigment, damar resin and wax medium. I put a small strip about 2/3 of the way down the board with a green gold pigment but with this color I used 40% damar resin, 50% wax medium and only 10% pigment. I wanted this color to be more transparent than the rest because I wanted a lot of contrast between the green gold and the thick heavy line below in Cadmium Orange. I painted layer upon layer of the Cad Orange to get it so raised up off the board. I made this color with 40% wax medium, and 50% damar resin and 10% Cadmium Orange Pigment; this pigment is so strong that one only needs a small amount to get the opacity you see in the picture below.
The next thing I did was incise through the wax with a ceramic tool. The one I used has a wooden handle and a metal tip on the end, it’s used for trimming the tops of pots while throwing on a wheel. I had decided to do a type of landscape based on my sketches and the encaustic painting that I had started last week. I filled the lines with R&F Titanium White Pigment Sticks and let it sit for an hour or so. One of the problems I had last week was my impatience to complete a piece, so this week I decided to take my time and slow down. I really was getting excited about this piece and didn’t want my impatience to ruin it. While I was waiting for the oil paint to settle, I cleaned off the sides of my boards. I typically use my heat gun to warm the wax that has dripped over the sides and a metal ceramic rib to scrape off the excess wax. They work really good and get the boards really clean. I have included pictures of all the ceramic and sculpture tools that I like to use with my encaustic painting.
After cleaning the sides of my boards of wax, I put a thin coat of clear medium over the whole board. Enough to cover the white pigment I had pushed into the the incised areas of the painting. I then put 3 more layers of cadmium orange to heighten the layers between the depth of the white and the height of the orange because I wanted more dimension between all the layers of wax. My next step was to add the balls of red (Alizarin Crimson); last week I heated up a sculpture tool and melted holes into the wax and filled them in and then scraped back to get it smooth. That really didn’t work out very well, so this week I painted with the wax to make balls on top instead. I used the same percentage of wax, damar and medium as the Cadmium Orange and really liked how it turned out. I did some different tests to see what I like best and what was best suited for what I was doing and I like having the red high up off the boards along with the orange stripes. I am very pleased with the result of all my hard work, I really do love working with wax and the fluidity of it all. When it is all said and done; life is ever changing and fluid. Being open to what life has to offer is the best part of living.
Today was a great day for me, despite the fact that the encaustic painting I was working on was a failure. I decided in my first post that I would not only share the pieces that worked but the ones that didn’t. This piece was a little bit of both for me. I was trying out a bunch of new tools today and even though my painting started out good….it didn’t end that way. In the image below I am about 1/2 way through my piece. I had fused sage, green gold and turquoise wax for the background and was really happy with the way it was coming along. I carved out the lines and filled it will Prussian blue oil paint, and covered the lines with clear medium and fused again and still things were going along great. In my next step I heated up the end of this sculpture tool I had and melted these holes into the painting and intended to fill them with Alizarin Crimson wax. I had this whole thing planned out……
I started filling up the holes with the red and scraping back the extra so the piece was flat but somewhere along the line I accidentally overheated the wax and it all went down the drain from there. I was using a new heating tool and it was getting really hot. I thought if I tried putting more medium over the whole piece and scraping back where I wanted it to be all would be well. That didn’t turn out the way I wanted it to either so I decided that I would keep scraping the piece while heating up the wax and without heating up the wax to see what would happen. It just got worse and worse so I stopped.
When my painting stopped working I decided to use this piece as a learning experience. I thought about how this project did and didn’t work for me. I learned a lot today; what my new tools will and won’t do, what my new heat gun does when I am not paying attention and most importantly when to stop. I am going to scrape down the rest of this piece and start over, and I am more than okay with that. Life and Art is good. Life and/or Art doesn’t turn out the way you think it’s going to so I guess life does imitate art, at least mine does.
I have been playing around with different papers and backgrounds for my encaustic painting and thought I would try my hand at Suminagashi. It is the traditional Japanese water based marbling technique. I got the ink set at Dick Blick Art Supplies on Market Street in San Francisco California. I used white Strathmore cards and envelopes in my studio so before I got too deep in this process I thought I would just use what I had.
These inks are not ordinary dyes. They are pigment inks made by blending high-grade cosmetic pigments with PVA via a special process. They have a good adhesion to materials and do not run or blot in water. Furthermore, they have an opacity not found in dyes, and can be mixed according to standard color rules like paints. The inks can also be applied in layers when the undercoat is dry. Virtually all ordinary materials that soak up water (paper, cloth, hide, wood, etc) can be marbled with these inks. The inks are made from high-grade pigments and so are non-toxic. Even small children (ages 6 and up) can use them without worry.
I will glue them onto the Ampersand Clay Boards before I begin my encaustic painting. I even tried FW Acrylic Inks and was happy with the colors and how they turned out. I will definitely be doing more of this marbling and will post more pictures when I have completed my encaustic painting with one. I was so excited about this and just wanted to share these pictures with you.